Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
USED - Mesa Boogie Mark III Simul Class Hardwood - MusicStreet
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
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Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood
USED - Mesa Boogie Mark III Simul Class Hardwood - MusicStreet
Mesa Boogie Amplifier USED - Mesa Boogie Mark III Simul Class Hardwood

USED - Mesa Boogie Mark III Simul Class Hardwood
Fully revolved and tested, custom made cover & includes 2 xFootswitches

The Mark III was launched by Mesa/Boogie in 1985. It introduced a third channel, a "crunch" rhythm sound right in between the rhythm and lead channels. This amp has a dual footswitch system: one footswitch alternates between the current rhythm mode and the lead mode, and the other selects either the clean rhythm mode or the crunch rhythm mode. The two rhythm modes share all of their controls, while the lead mode only shares the rhythm modes' tone stack, featuring independent gain and master volume controls. The physical switch for the crunch rhythm mode was implemented as a push/pull switch above the Middle frequency control.

Five 12AX7 preamp tubes and two 6L6 and two EL-34 power tubes.
Controls include Volume, Treble, Bass, Middle, Master, Lead Drive and Lead Master, all of which use a push/pull knob for additional tonal flexibility, adding brightness and depth to an already kickass combination, and a five-way graphic EQ. Loaded with an EV Speaker and finished in hardwood with Wicker grill cloth
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