16-Channel USB-C Hybrid Digital/Analog Performance Mixer

Don’t let the classic analog mixer design fool you—the StudioLive® AR16c was built to record. Featuring a pristine analog front end with 12 high-gain XMAX mic preamps and an 18x4, 24-bit, 96 kHz, USB-C™-compatible USB 2.0 audio interface, the StudioLive AR16c’s hybrid design makes it simple to mix and record. Add in a musical 3-band analog EQ, mic/line boost for low-level sources including vintage synths, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.

Computer System Requirements

FEATURES


  • 18x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface; record every channel plus the main mix
  • 2x2 SD recorder (record main mix); supports SD and SDHC formats up to 32 GB
  • 18-channel analog mixer with:
    • 12 balanced microphone inputs with XMAX mic preamps plus two instrument inputs, 16 balanced line level inputs, and 2 insert points
    • Stereo Super Channel (Ch. 17/18) with Bluetooth®0 wireless, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
    • Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
  • Complete recording solution: Includes Capture™ live-recording software and Studio One® Artist DAW for Mac® and Windows
  • Instrument Input Connection Type
  • 1/4” TS Female, Unbalanced, Hi-Z
  • Instrument Inputs Dynamic Range
  • > 108 dB (Mid Gain, Unweighted)
  • Instrument Inputs Frequency Response
  • 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Instrument Inputs Gain Range
  • 43 dB, ±1 dB (+12 to +55 dB)
  • Instrument Inputs Maximum Level
  • +9 dBu ±1.0 dB (Minimum Gain, 1 [email protected]% THD + N)
  • Line Input Connection Type
  • 1/4" TRS, Balanced
  • Line Inputs Frequency Response
  • 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Line Inputs Gain Range
  • Mono: 40 dB, ±1 dB, Stereo: 0 dB or +10 dB
  • Line Inputs Impedance
  • 10 kΩ (Balanced)
  • Line Inputs Maximum Level
  • +26 dBu ±1.0 dB (Minimum Gain, 1 [email protected]% THD + N)
  • Line Inputs Signal To Noise Ratio
  • 85 dB (+4 dBu)
  • Line Inputs Total Harmonic Distortion
  • <0.01% (1 kHz, -1 dBFS, A-Weighted)
  • Microphone Input Connection Type
  • XLR Female, Class A XMAX
  • Microphone Preamp Common Mode Rejection Ratio
  • 65 dB (1 kHz, +55 dB Gain)
  • Microphone Preamp Equivalent Input Noise
  • < 128 dBu (+55 dB gain, 150Ω Input, 20 Hz-22 kHz)
  • Microphone Preamp Frequency Response
  • 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Microphone Preamp Gain Control Range
  • 43 dB (+12 to +55 dB)
  • Microphone Preamp Input Impedance
  • 1 kΩ
  • Microphone Preamp Maximum Input Level
  • +9 dBu ±1.0 dB (Unity Gain)
  • Microphone Preamp Signal To Noise Ratio
  • 94 dB (+4 dBu)
  • Microphone Preamp Total Harmonic Distortion
  • <0.01% (Minimum Gain, A-Weighted)
  • Headphone Outputs Dynamic Range
  • >103 dB (A-Weighted)
  • Headphone Outputs Frequency Response
  • 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Headphone Outputs Maximum Output
  • 150 mW /Channel at 60 Ω
  • Headphone Outputs Total Harmonic Distortion
  • <0.01% (Bandwidth 20 Hz - 20 kHz, -1 dBFS, Unweighted)
  • Line Outputs Connection Type
  • 1/4" TRS, Balanced
  • Line Outputs Maximum Output Level
  • +18 dBu
  • Line Outputs Output Impedance
  • 100 Ohms
  • Main And Line Outputs Frequency Response
  • 20 Hz to 20 kHz, +0.5/-1.5 dB
  • Main And Line Outputs Total Harmonic Distortion
  • <0.01% (Bandwidth 20 Hz - 20 kHz, -1 dBFS, Unweighted)

No extras information available.