32-Channel/22-bus digital console/recorder/interface with AVB networking and quad core FLEX DSP Engine

A 32-channel powerhouse with one-to-one channel control the StudioLive 32S is a small-format digital mixer with large-format mixing power. Thanks to AVB, it’s easily expandable—readily networking with EarMix 16M personal monitor mixers for customized onstage mixes and PreSonus NSB-series stage boxes for remote inputs. The 32S’s 16 FlexMixes can be individually configured to function as aux buses, subgroups, or matrix mixes allowing you to customize your mixer any way you wish. The Fat Channel processing section employs expandable plug-in options with vintage EQ and classic compression options on every input channel and output bus.

The 32S also ships with PreSonus Capture® recording software, which can be run directly on your mixer or Windows or macOS computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig.

FEATURES


  • Portable, and flexible digital console for installed sound, mobile applications, and recording with dual-core FLEX DSP Engine powering 286 simultaneous processors
  • Fully recallable, 40-input, 32-channel digital mixing console
  • Built-in AVB networking creates a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switch
  • Built-in 128-channel (64x64) USB interface—the most of any digital mixer on the market
  • Onboard multitrack SD Card recorder with true Virtual Soundcheck
  • 16 FlexMixes (aux mixes, subgroups, or matrix mixes)
  • FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses
  • Complete professional solution: suite of integrated software, including Studio One® Artist DAW and Capture®
  • Digital Audio Bit Depth
  • 24
  • Digital Audio Dynamic Range
  • ADC Dynamic Range: 115 dB (A-Weighted, 48 kHz), DAC Dynamic Range: 115 dB (A-Weighted, 48 kHz)
  • Digital Audio Reference Level For Zero dBFS
  • +18 dBu
  • Digital Audio Total System Latency
  • 1.9 ms
  • Line Input Connection Type
  • 1/4" TRS Female, Balanced
  • Line Inputs Frequency Response
  • 20-20 kHz (±0.5 dBu at Unity Gain)
  • Line Inputs Impedance
  • 10 kΩ
  • Line Inputs Maximum Level
  • =+18 dBu
  • Line Inputs Signal To Noise Ratio
  • 94 dB (Ref =+4 dB, 20 kHz BW, Unity Gain, A-Weighted)
  • Line Inputs Total Harmonic Distortion
  • <0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted
  • Microphone Input Connection Type
  • XLR Female, Balanced
  • Microphone Preamp Common Mode Rejection Ratio
  • 65 dB (1 kHz at Unity Gain)
  • Microphone Preamp Frequency Response
  • 20-20 kHz (±0.5 dBu at Unity Gain)
  • Microphone Preamp Gain Control Range
  • 0 dB to 60 dB (±1 dB)
  • Microphone Preamp Input Impedance
  • 1 kΩ
  • Microphone Preamp Maximum Input Level
  • =+12 dBu (Unity Gain)
  • Microphone Preamp Signal To Noise Ratio
  • 94 dB (Ref = +4 dB, 20 kHz BW, Unity Gain, A-Weighted)
  • Microphone Preamp Total Harmonic Distortion
  • <0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted
  • Tape Maximum Input Level
  • =+12 dBu, ±0.5 dBu
  • Headphone Outputs Connection Type
  • Headphone Outputs Frequency Response
  • 20 Hz to 20 kHz, +/-0.5 dB
  • Headphone Outputs Maximum Output
  • 100 mW/ch. @ 60Ω load
  • Headphone Outputs Signal To Noise Ratio
  • 96 dB, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted
  • Headphone Outputs Total Harmonic Distortion
  • 0.01%, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted
  • Line Outputs Connection Type
  • 1/4" TRS Female, Balanced
  • Line Outputs Maximum Output Level
  • +18 dBu, ±0.5 dBu
  • Line Outputs Output Impedance
  • 100 Ohms
  • Tape Maximum Output Level
  • =+18 dBu, ±0.5 dBu
  • Tape Output Impedance
  • 100 Ohms

No extras information available.