Presonus StudioLive AR8c ANALOG MIXER
Established 2014
Family run independent
12 Months Warranty & in store setups
FREE UK shipping
Pairs well with
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Presonus StudioLive AR8c ANALOG MIXER
8-Channel USB-C Hybrid Digital/Analog Performance Mixer
With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, livestreams, and music productions. Featuring a pristine analog front end with four high-gain XMAX mic preamps and an 8x4, 24-bit, 96 kHz, USB-C™-compatible USB 2.0 audio interface, the StudioLive AR8c’s hybrid design makes it simple to mix and record. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level input sources and consumer devices, Bluetooth® connectivity, a stereo SD recorder, and high-impedance instruments inputs, and you have a broadcasting and recording powerhouse that fulfills the needs of modern musicians and content creators.
FEATURES
- 8x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface; record every channel plus the main mix
- 2x2 SD recorder (record main mix); supports SD and SDHC formats up to 32 GB
- 8-channel analog mixer with:
- 4 balanced microphone inputs with XMAX mic preamps, 2 instrument/line inputs, and 2 pairs of stereo balanced line inputs
- Stereo Super Channel (Ch. 7/8) with Bluetooth®0 wireless, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
- Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
- Complete recording solution: Includes Capture™ live-recording software and Studio One® Artist DAW for Mac® and Windows
- Instrument Input Connection Type
- 1/4” TS Female, Unbalanced, Hi-Z
- Instrument Inputs Dynamic Range
- > 108 dB (Mid Gain, Unweighted)
- Instrument Inputs Frequency Response
- 20 Hz to 20 kHz, +0.5/-1.5 dB
- Instrument Inputs Gain Range
- 43 dB, ±1 dB (+12 to +55 dB)
- Instrument Inputs Maximum Level
- +9 dBu ±1.0 dB (Minimum Gain, 1 [email protected]% THD + N)
- Line Input Connection Type
- 1/4" TRS, Balanced
- Line Inputs Frequency Response
- 20 Hz to 20 kHz, +0.5/-1.5 dB
- Line Inputs Gain Range
- Mono: 40 dB, ±1 dB, Stereo: 0 dB or +10 dB
- Line Inputs Impedance
- 10 kΩ (Balanced)
- Line Inputs Maximum Level
- +26 dBu ±1.0 dB (Minimum Gain, 1 [email protected]% THD + N)
- Line Inputs Signal To Noise Ratio
- 85 dB (+4 dBu)
- Line Inputs Total Harmonic Distortion
- <0.01% (1 kHz, -1 dBFS, A-Weighted)
- Microphone Input Connection Type
- XLR Female, Class A XMAX
- Microphone Preamp Common Mode Rejection Ratio
- 65 dB (1 kHz, +55 dB Gain)
- Microphone Preamp Equivalent Input Noise
- < 128 dBu (+55 dB gain, 150Ω Input, 20 Hz-22 kHz)
- Microphone Preamp Frequency Response
- 20 Hz to 20 kHz, +0.5/-1.5 dB
- Microphone Preamp Gain Control Range
- 43 dB (+12 to +55 dB)
- Microphone Preamp Input Impedance
- 1 kΩ
- Microphone Preamp Maximum Input Level
- +9 dBu ± 1.0 dB (Unity Gain)
- Microphone Preamp Signal To Noise Ratio
- 94 dB (+4 dBu)
- Microphone Preamp Total Harmonic Distortion
- <0.01% (Minimum Gain, A-Weighted)
- Headphone Outputs Dynamic Range
- >103 dB (A-Weighted)
- Headphone Outputs Frequency Response
- 20 Hz to 20 kHz, +0.5/-1.5 dB
- Headphone Outputs Maximum Output
- 150 mW /Channel at 60 Ω
- Headphone Outputs Total Harmonic Distortion
- <0.01% (Bandwidth 20 Hz - 20 kHz, -1 dBFS, Unweighted)
- Line Outputs Connection Type
- 1/4" TRS, Balanced
- Line Outputs Maximum Output Level
- +18 dBu
- Line Outputs Output Impedance
- 100 Ohms
- Main And Line Outputs Dynamic Range
- >108 dB (A-wtd)
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